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Teaching Courses Look, See, Observe and Reflect:
This course is offered at four different levels as follows:
  • Grade 1, Grade 2 and Grade 3
  • Grade 4 and Grade 5
  • Grade 6, Grade 7 and Grade 8
  • Intermediate Foundation and Intermediate
Duration of each course: Half day per level

All teachers of classical ballet particularly those who have students studying the Academy's Graded and/or Vocational Graded Syllabus will benefit.

This course aims to increase teachers observation skills with reference to the assessment criteria for Graded or Vocational Graded Examinations.

The course will include:
  • Explanation and discussion of the assessment criteria
  • Observation of students performing extracts from the relevant syllabus
  • Discussion of students work in relation to the assessment criteria
Developing Musicality in Students Unit 1:
Duration: One day

All teachers of classical ballet will benefit from the course. It is strongly recommended that attendees have a knowledge and understanding of basic music terminology.

The course aims to provide teachers with strategies to develop musical awareness in their students, enabling them to translate their aural interpretation into expressive movement.

The course will include:
  • General introduction
  • Aims and outline of course
  • Introduction to the elements of music and movement
  • Teaching strategies for the pre-school child
  • Teaching strategies for older children on the following; pulse, tempo, duration and rhythm
Developing Musicality in Students Unit 2:
Duration: One day

All teachers of classical ballet will benefit from the course. It is strongly recommended that attendees have a knowledge and understanding of basic music terminology.

The course aims to provide teachers with strategies to develop musical awareness in their students, enabling them to translate their aural interpretation into expressive movement.

The course will include:
  • General introduction
  • Aims and outline of course
  • Re-cap from unit 1 (elements of music and movement)
  • Teaching strategies for aural awareness and physical understanding of tempo, accent and phrasing
    Teaching strategies for aural awareness and physical understanding of pitch and volume and the combination of the two
  • Teaching strategies for style and mood awareness
Themes & Ideas for Teaching Graded Students:
Duration: One day

All teachers of classical ballet will benefit from the course, in particular teachers of young students.

The aim of the course is to provide teachers with creative and innovative ideas to complement and support the teaching of young students.

The course will include:
  • Strategies to make classes both fun and productive
  • Concepts to complement the teaching of technique
  • Essential goals for syllabus and non-syllabus classes
  • Ideas for an imaginative approach to successful group dance items
A Guide to the Transition from Graded to Vocational Graded Examinations:
Duration: Half day

Teachers of classical ballet who have students studying for Graded and Vocational Graded examinations will benefit from this course.

This course will provide teachers with a knowledge and understanding of the purpose of the two different examination pathways and the approach to teaching.

The course will include discussion on:
The difference between the Graded and Vocational Graded examination pathways:
  • The meaning of the titles
  • The purpose of the two different pathways
How the two examination pathways relate to each other:
  • When to transfer from Graded to Vocational Graded examinations
  • How the two pathways compliment each other
  • Selection and preparation of students for Vocational Graded examinations
  • Strength and flexibility of physique
  • Suitability of feet for pointe work
The difference in approach to teaching at Graded and Vocational Graded levels:
  • Is there a difference, if so what is it?
  • Strengthening exercises to assist work at Vocational Graded level
  • Comparison of expectations in relation to specific movements at Graded and Vocational Graded levels
  • Comparison of assessment criteria between Graded and Vocational Graded examinations
  • Free enchaînements
  • The introduction of pointe work
Fundamentals of Classical Ballet Technique Unit 1 and 2:
Duration: One day

All teachers of classical ballet will benefit from this course.

The course aims to provide teachers with a deeper understanding of the content of the Academy's book, The Foundations of Classical Ballet Technique, on which the course is based.

Course Content Unit 1
The course will include:
  • Brief discussion on the value of Benesh Movement Notation
  • Explanation of the components and basic concepts of Classical Ballet
  • What, how, why? - Technical analysis of classical ballet vocabulary with discussion on issues related to teaching

Course Content Unit 2
This is a practical unit. The unit will be in the form of an extended classical ballet class in which teacher participation is strongly encouraged in order to re-visit and 'feel' in the body, basic classical technique. A selection of movements and steps will be analyzed and vocabulary will be discussed where appropriate. There will also be discussion on issues related to teaching

Please note it is not necessary to attend unit 1 before unit 2

Creating Effective Enchaînements:
Duration: One day

All teachers of classical ballet who wish to improve their ability to arrange free enchainements will benefit from the course.

The course aims to develop a systematic, but thoughtful and creative approach to devising free enchainements for Vocational Graded classes, up to Advanced Foundation level.

Course content:
The following topics in relation to free enchainements will be discussed and clarified:
  • Purpose
  • Formula on which to build
  • Varying qualities and dynamics
  • Class planning
  • Practical application and observation
  • Analysis and construction
Use of Music in Teaching:
Duration: One day

All teachers of classical ballet will benefit from this course.

The course aims to provide teachers with a basic understanding of the music requirements for class work and how to communicate these to a pianist.

Course content:
  • Introduction to basic music theory
  • Recognition of basic dance rhythms
  • Selection of appropriate rhythms for various movements
  • Use of voice to indicate rhythm and quality
  • Communication with pianist
Introduction to Teaching Basic Pointe Work
Duration: Half day

All teachers of classical ballet, particularly those who teach students who are beginning pointe work.

The course aims to provide teachers with a knowledge and understanding of how to introduce pointe work to young students.

Course content:
Advice on the different types of pointe shoes available:
  • Preparation of pointe shoes
  • Fitting of pointe shoes
  • Questions from teachers
Preparation for pointe work:
  • Physical requirements
  • Strengthening exercises
  • Demi-pointe exercises
Observation of teaching session with students followed by discussion.

Effective Teaching of Pointe Work
Duration: Half day

All teachers of classical ballet, particularly those who teach students at Intermediate examination level.

The course aims to provide teachers with a knowledge and understanding of how to introduce pointe work to young students.

Course content:
Technical and physical requirements for pointe work at Intermediate level including:
  • Posture
  • Possible growth spurts requiring adjustment of weight , etc
  • General strength and stability
Strengthening exercises in preparation for pointe work at Intermediate level. Observation of teaching session with students at Intermediate level or above, followed by discussion.

Syllabus Courses Introductory Courses:
These courses help you to gain knowledge and understanding of the Academy's examination syllabi and equip you with ideas for ways in which to teach them. Courses offer invaluable assistance for any ballet teacher working with the Academy's syllabus.

The course aims to provide teachers with a knowledge and understanding of the Academy's syllabi.

Graded Syllabus Courses
Grade Duration
Pre-Primary to Grade 5* 5 days
Grade 6 2 days
Grade 7 2 days
Grade 8 Award 2 days

*Note:
Day 1 & 2: Pre-Primary to Grade 2
Day 3: Grade 3
Day 4: Grade 4
Day 5: Grade 5

Teachers who are learning the work for the first time are strongly advised to attend the full five day course.

Vocational Graded Syllabus Courses
Level Duration
Intermediate Foundation, Male & Female 2 days
Intermediate, Male & Female 2 days
Advanced Foundation, Female 2 days
Advanced Foundation, Male 2 days
Advanced 1, Female 2 days
Advanced 1, Male 2 days
Advanced 2, Female 2 days
Advanced 2, Male 2 days
Solo Seal, Female 1 day
Solo Seal, Male 1 day


Revision Courses:
Revision courses are designed to help refresh details and enhance your approach to teaching. A good working knowledge of the relevant syllabus is required. All teachers of the Academy's examination syllabi will benefit from the course.

Course Title Duration
Pre-Primary to Grade 5
The work will be covered as follows:
 
Pre-Primary to Grade 2
1 day
Grade 3 & Grade 4
1 day
Grade 5
1 day
Intermediate Foundation - Male & Female 1 day
Intermediate - Male & Female 1 day


Free Movement and Character Revision Course:
These specialized courses offer in-depth study and ideas for methods of teaching the Free Movement and Character sections of the Academy's Graded examination syllabus.

Course Title Duration
Character: Grade 1 to Grade 5 Half day
Character: Grade 6 & 7 Half day
Character: Grade 8 Award Half day
Free Movement: Primary to Grade 5 Half day
Free Movement: Grade 6 & 7 Half day
Free Movement: Grade 8 Award Half day


Student Classes Student Classes are offered at both the Graded and Vocational Graded levels. They provide an opportunity for teachers to observe student classes, taught by an experienced Royal Academy of Dance examiner/tutor while giving students an opportunity to participate in a detailed overview of the examination requirements, in preparation for the examination sessions.

Enrolment for these classes are on a first come, first served basis, with preference given to examination candidates. A maximum of five students from each school for each class will be accepted. We strongly encourage teachers and students to take advantage of the opportunity to consolidate knowledge of syllabus details and examination criteria.

Teacher Discussions Teacher Discussions are a follow-up to the observation of student classes and are ideal for those wishing to discuss the examination criteria. It is advised that those attending these sessions bring their copy of Handbook for Teachers.

Pre-School Dance Curriculum Workshop Open to both RAD and non-RAD teachers, this workshop brings a practical approach to teaching pre-schoolers. Learn the aims and objectives of the Pre-School Dance Curriculum. View a class and discuss, then participate in a group session to share, invent and expand upon creative ideas based on fundamental principles of cognitive, motor and social development.
*Private Lessons / Student Classes / Discussions

*By request only
Private Lessons:
G ive teachers an opportunity to clarify technical points one on one with an RAD examiner/tutor that may need reviewing and to develop specific skills at a time and location convenient to them.
Student Classes with Optional Discussion:
While instructive to teachers, Student Classes with optional Discussion following the class, are especially helpful in coaching students as the syllabus class is tailored to the particular grade level and technical emphasis of the teacher's choice.
Small Group Courses:
These are ideal for dialogue for small groups of teachers (maximum of five) who would like to request particular topics or courses of their choice.

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